Art Books by Lise Melhorn-Boe

Image

Images of three-dimensional book works created by Canadian visual artist Lise Melhorn Boe

Format

License

Creative Commons Licence

Contributed date

July 18, 2019 - 5:43pm

Critical Commentary

The early works of Canadian artist Lise Melhorn-Boe inquired into the thwarted, deferred, and transferred artistic desires of women.  In Color Me Dutiful (1986), Melhorn-Boe collected stories elicited from women as to why they wear make-up, printing those desires and recollections on oval paper leaflets (i.e., faces) collected in a receptacle whose cover is a plaster cast of her own mienne.  After becoming ill with breast cancer and, then, felled by exposure to mold, Melhorn-Boe returned to the oval leaflets with a new awareness of environmental toxins that had likely contributed to her own health. Toxic Face Book (2008) returns to the landscape of the face and lists the chemical ingredients of the many emollients and hues that women use regularly.  The artist’s life history of exposures to heavy metals are also rendered via a pop-up book, No Safe Levels (2006), figuring a topography of rolling hills and peaks, the overall shape based on her body’s profile while lying sideways and inscribed with the heavy metals that turned up in her laboratory panel.  In What’s for Dinner (2011), a textual homage and spin on Judy Chicago’s The Dinner Party,  she prompts the picnic goer to unfold a series of meals that list the contaminants in food that contribute to total body burden. The large (40 inch) fold-out work, Body Map (2009), features a photograph of the artist’s post-mastectomy figure, with a personal and public environmental history inscribed across various body parts.

Cite as

Anonymous, "Art Books by Lise Melhorn-Boe", contributed by , STS Infrastructures, Platform for Experimental Collaborative Ethnography, last modified 18 July 2019, accessed 11 October 2024. https://stsinfrastructures.org/content/art-books-lise-melhorn-boe