AO: According to this excerpt from Carotenuto and Luongo (2005), KNA's work in the first few decades of the newly independent Kenya was to repatriate documents removed from Kenya by the outgoing British regime.
...despite greater government support, the KNA grew slowly during the 1960s and 1970s. During these decades the institution's primary goal was to identify, catalog, and repatriate colonial gov- ernmental documents removed from Kenya at the end of the colonial period by the outgoing British regime.
AO: This opening paragraph of the paper describes where the archives are situated within the Central Business District of Nairobi (CBD). Indeed, the everyday noises of passing matatus, preachers and vendors on the street below continues to characterize the experience of working from the second floor of the archives building.
Situated at the edge of the central business district in downtown Nairobi, the Kenya National Archives (KNA) is a reservoir and living example of historical and ethnographic knowledge. Straddling the boundary between "tourist" Nairobi and "real" Nairobi, the KNA inhabits a space that transcends both function and class in a cosmopolitan, urban setting. The archives look out on the landmark Hilton Hotel, together with the swarms of up-market tourists and wealthy locals it attracts. On the KNA's rear, Tom Mboya street serves a modern gateway to the crushing, chaotic avenues and alleys that the vast majority of Nairobi's citizens tread daily as they depart from and return to the stark realities of Nairobi's eastern slums. Engulfed by the wailing horns of passing matatus and the rhythmic calls of street hawkers, the spaces inside and outside the archive offer a rich terrain for social scientists interested in both contemporary and historical Kenya.