I was really taken by the line toward the end of poem #1: "Re-situated." It made me question the politics of re-situating items like a zine, for in this context, I read re-situating as a generative move that is always still in tension with lifting an object out of place.
Also, poem #2 got me thinking about the relationship between the material environment of a zine (its paper leaves, those leaves gathered into a whole which contains certain traces) and the material environments it travels in, through, or between. How does the technical language of the zine as some sort of book material connect it to its larger environment?
